Hands down, however, the real gem is the group’s cover of “Into the Groove,” titled “Into the Groove(y),” which employs samples from the original yet carries more of Sonic Youth’s innovative spirit in its punchy energy. And no matter how many times you’ve heard “Pacific Coast Highway,” it’s always a jolt when this churning noise opens up into the instrumental section that serves as the song’s chorus, a spacious and celestial take on classic rock twang, aurally evoking the grand ocean vistas of Pacific Coast Highway itself. The terminally catchy “Kool Thing” serves as a brutal subtweet to LL Cool J, a rapper Gordon previously admired. Well, not precisely the sound itself but, let’s say, the quintessence of Sonic Youth sound. It’s the first of, (Despite the obvious genre differences, the band related to the Carpenters on a musical level too, and beautifully covered “. She’s cool and collected at the center, providing the album with one of its catchiest half-shouted hooks: “I wanna know! (C) 2004 Geffen Records#SonicYouth #DirtyBoots #Remastered The song switches perspectives repeatedly, between the voice of Carpenter beaming down from heaven and a hectoring, belittling mother on Earth, who provides “Tunic” with its sad and unforgettable chorus: “You ain’t never goin’ anywhere.” The former passages are sweet and airy; the latter are set to one of Sonic Youth’s most demonically heavy riffs. At the end, she name checks every model in the 1992 edition of the Sports Illustrated Swimsuit Issue as a stand-in for how she imagined said executive sees women: two-dimensional, sexy, and silent.—MAGGIE SEROTA, “Bull in the Heather” (Experimental Jet Set, Trash, and No Star, 1994). Shadow Of A Doubt (Live) 14. A song like no other in the Sonic Youth catalog, “Little Trouble Girl” casts guest vocalist Kim Deal as a one-woman girl group, inventing an alternate history of Spector-era pop in which the women get to be as shadowy, complex, and vaguely dangerous as the men. However, Murray Street, their second collaboration with Jim O'Rourke (and their first with him as a full member of the group), not only recalls their past glories but explores new territory. Confusion Is Sex, Sonic Youth’s 1983 debut full-length, contains this piece of ominous La Monte Young-esque drone that explodes eventually into an unhinged Gordon-led cover of a Stooges proto-punk classic. The band provides no answers, and it’s better that way. “Making the Nature Scene” is the band’s attempt at a hip-hop song, which acts as one of the few “pop songs” on the album that isn’t a cover. Leaky Lifeboat (Live) 12. Walkin' Blue (Live) 6. “I Love You, Golden Blue” (Sonic Nurse, 2004) Sonic Youth are a classic album-rock band and songs have no meaning taken out of context. “Very, very close.” With Deal’s eerie, Lynchian sha-la-las echoing behind Gordon, it’s clear that there’s something sinister about that closeness. Her opinion of him took a dive after SPIN tasked her with interviewing the rapper in order to get her feminist perspective on the genre. JC (Live at Mesa Amphitheatre) 6. Official Site. Part of that, for Gordon at least, entailed an alleged incident of sexual harassment that occurred between a Geffen executive and a secretary. Are we inside the delusional mind of the killer, imagining he’s on a romantic drive with a woman who loves him? Leaky Lifeboat (Live) 12. 9. A scattered but occasionally brilliant collection, it splits the difference between the experimental grandeur of its predecessor and tight modern rock befitting the band’s new label. Wildflower Soul (Live) 10. Gordon’s soft and fractured vocal performance is as intense as anything from the. Sonic Youth fans are well-known completists. Part of that, for Gordon at least, entailed, that occurred between a Geffen executive and a secretary. It barrels forward with the furious kinetic energy of a hardcore punk song and never seems to stop, stretching endlessly toward a far-off horizon instead of petering out after two minutes like standard mosh-pit fare. Sacred Trickster (Live) 3. Hard to believe the whole thing’s over in less than four minutes. Hits Are for Squares is a compilation album by American alternative rock band Sonic Youth. It’s a record about both the luxuriant slickness and the terrifying precarity of our current American situation, and its hyper-contemporary musical palette—which includes more electronics than you might ever expect to hear on a Sonic Youth-universe release—reflects both of those qualities back to you in unsettling detail. “Come on, get in the car, let’s go for a ride somewhere,” her narrator urges. When she begins whispering her devotion to the ineffable “Golden Blue” of the title, it’s like a love letter to the sound itself. By using our website and our services, you agree to our use of cookies as described in our Cookie Policy . Although Tiffany’s music digressed into adult-ballad careerism, this set mainly proves how unrestrained her sonic youth sounded." Yet just as many songs come from 1987’s sometimes overlooked EVOL, including the haunting “Shadow of a Doubt” and the album’s closing epic, “Expressway to Yr Skull.” Speculating why certain songs were chosen by certain people is entertaining in its own right; Diablo Cody's choice of the subversive-yet-heartfelt Carpenters cover “Superstar” seems to make perfect sense, given the nimble way she balances kitsch, irony, and genuine emotion in her own work. Sonic Youth, initially comprised of guitarist / vocalists Thurston Moore and Lee Ranaldo, guitarist / bassist / vocalist Kim Gordon and drummer Richard Edson, were formed in New York City in 1981. 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